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I love looking at the world.
It's this desire to take my eyes to different heights, different frames and to open them up to movement that led me to pick up the camera.
Whether through the tenderness of documentary or the flexibility of fiction. The position of the gaze is constructed and exchanged in cohesion with the project and the people I work with. I see my work as a cinematographer as a way of staging the image, finding the right angle, giving relief to an image through light and shadow,
For me, looking at the camera is also a time for listening to what's going on in front of it. For me, looking at the camera is also a time for looking at and listening to what's going on in front of you. The work on the image, a great conciliation of the dimensions of cinema. a rhythm of the image is born in cohesion with the rhythm of the acting, and the sound space.
At the same time, I have a taste for adventure, which brings me into contact with different ways of looking at the world, society and nature. I recently took up underwater photography.

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